“Ah, but man’s rEAch should excEEd his grasp…”-Robert Brownings “Andrea del Sarto”
rhyme scheme
There’s little joy in life for me, aAnd little terror in the grave; bI’ve lived the parting hour to see aOf one I would have died to save b-Charlotte Bronte’s “On the Death of Anne Bronte”
hyperbole
When thou sigh’st, thou sigh’st not wind,but sigh’st my soul away-John Donne “Song”
free verse
All the same IIntend to go on beingA cat that likes toGallop about doing goodSoNow with my bald head I go,Chopping the untidy flowers down, to and fro.
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-Stevie Smith “The Galloping Cat”
tone
*the parentheses are not part of the poem but describe a aspect of the poem but {} is part of the poemI’m going out to clean the pasture spring; (light, informing)I’ll only stop to rake the leaves away (“only” – reservation){And wait to watch the water clear, I may}: (supplementary, possibility)I sha’n’t be gone long. — You come too. (free, assuring) (after thought, inviting) “Rather well for me” — I’m going out to fetch the little calf (Similar, free, persuasive, assuringThat’s standing by the mother.
It’s so young, and inviting tones in second stanza) It totters when she licks it with her tongue.I sha’n’t be gone long. — You come too.-Robert Frost “The Pasture”
simile
Like two blossoms on one sternLike two flakes of new-fallen snow,Like two wands of ivoryTipped with glod for awful kings.-Christina Rosetti “Goblin Market”
personification
Swiftly walk o’er the western wave,Spirit of the Night!-Percy Bysshe Shelley
end-rhyme
Whose woods these are I think I KNOW.His house is in the village THOUGH; He will not see me stopping HERE To watch his woods fill up with SNOW.
My little horse must think it QUEER To stop without a farmhouse NEAR Between the woods and frozen LAKE The darkest evening of the YEAR. He gives his harness bells a SHAKE To ask if there is some MISTAKE. The only other sound’s the SWEEP Of easy wind and downy FLAKE. The woods are lovely, dark and DEEP. But I have promises to KEEP, And miles to go before I SLEEP, And miles to go before I SLEEP.
-Robert Frost “Stopping by the Woods on a Snowy Evening”
consonance
a frightful fieND/ Doth close behiND him tread-Samuel Taylor Coleridge “The Rime of the Ancient Mariner”
onomatopoeia
buzz….
.hiss….moo.
..bark…
.meow…
quack
metaphor
“death, that long sleep”
stanza
couplet, tercet, quatrain, cinquain, sestet, heptastich,*these are all types of what
near rhyme
When have I last looked ONThe round green eyes and the long wavering BODIESOf the dark leopards of the MOON?All the wild witches, those most noble LADIES,-Yeats “Lines Written in Dejection”*what type of rhyming is this?
alliteration
The fair breeze blew, the white foam flew.-Coleridge “The Rime of the Ancient Mariner”*what is this an example of?
extended metaphor
“the thorns of life rained down on him”
internal rhyme
*this is one line of poetry:Once upon a midnight DREARY, while I pondered, weak and WEARY,-Edgar Allen Poe “The Raven”what kind of rhyme is this?
couplet
True wit is nature to advantage dress’d;What oft was thought, but ne’er so well express’d-Alexander Pope*what kind of stanza is this
rhyme
dove, glove, shove, love,…..
..
imagery
The winter evening settles downWith smell of steaks in passageways.-T.
S. Eliot “Preludes”*what literary device is being used?
rhythm
? / ? / ? / ? /I ween| that when| the grave’s| dark wall|-Emily Bronte, “Song”